The Lie of the Land :: Haydn Middleton The Lie of the Land Essays

The Lie of the Land This is a list of explications--things a North American reader might need to know in order to make most sense out of Haydn Middleton's The Lie of the Land. I re-read the novel and made a list of unclear references or ambiguous words or terms. I included the page number and a short explanation of the context; I then proffered each word with the definition I was able to find! Before delving into my textual explications, let me add a short "preface" first. As I re-read Middleton's novel, I found myself intensely interested in the cultural differences between North Americans and the English from (you guessed it...) England. My fascination with the inexplicable difference, yet explicable intertwining of our two cultures is probably provoked by a book I'm reading for another class, Cultural Misunderstandings by Raymonde Carroll, a French anthropologist. Carroll has extensively studied the differences between Americans and Europeans, mainly French. She gave an interesting analysis concerning Americans and our way of conducting or cultivating relationships. Well, I was reading the novel again, and if you caught it, Rachel offers Alasdair an invitation to dinner. This might not strike you as significant at all, but hold on--note that here in the United States, we will frequently end a conversation with, "Call me!" or "Let's get together, sometime, okay? I'll cal l you sometime!" These advances are never realized, of course, but are merely conversation climaxers. Rachel says to Alasdair, "Look . . . you should come round some time with Maggie. We'd love to see you . . . " (25). A couple of chapters later, the dinner scene is a very significant addition to the story, hmm? Carroll made the comment that Americans portray themselves as superficial and flighty with their many unrealized invitations. Europeans, on the other hand, tend to extend invitations and set the date in the proceeding avenue of discourse. Details. Dr. Gilgun taught my Fiction class last semester, and we learned that details develop ordestroy the story. Details divorce me from the story or seduce me, leaving me wondering where reality ends and the surreal begins. Details characterize the culture behind the author, the culture in and within where delight is reached, found, discovered and eventually shared. But anyway . . . enough of diversion! TEXTUAL EXPLICATIONS--please feign acquiescence, and pretend that this list is complete and can stand alone; there were so many more textual nuances that I wanted to include! Hmm .